This two-course sequence assumes no previous knowledge of Arabic and provides a thorough grounding in the four language skills of listening, speaking, reading, and writing. It starts with the alphabet and the number system and builds the four skills gradually and systematically through carefully selected and organized materials focusing on specific, concrete and familiar topics such as self identification, family, travel, food, renting an apartment, study, the weather, etc.). These topics are listed in the textbook's table of contents.  The student who successfully completes the two-course sequence will have mastered about 1000 basic words and will be able to: 1) understand and actively participate in conversations on a limited range of practical topics such as self-identification, family, school, work, the weather, travel, etc., 2) read and understand, with the help of a short list of words, passages of up to 180 words written in Arabic script, and 3) discuss orally in class and write a 50-word paragraph in Arabic.  The two-course sequence aims to take the student from the Novice to the Intermediate Mid level according to the ACTFL proficiency guidelines.

Catalog Distribution: (FL-AG)

Full details for ASRC 1201 - Elementary Arabic I

In this two-course sequence learners continue to develop the four language skills of listening, speaking, reading, and writing and grammar foundation through the extensive use of graded materials on a wide variety of topics.  While more attention is given to developing native-like pronunciation and to grammatical accuracy than in ARAB 1201 and ARAB 1202, the main focus of the course will be on encouraging fluency and facility in understanding the language and communicating ideas in it.  The student who successfully completes this two-course sequence will have mastered over 1500 new words and will be able to: 1) understand and actively participate in conversations related to a wide variety of topics beyond those covered in ARAB 1201 and ARAB 1202, such as the history and geography of the Arab world, food and health, sports, economic matters, the environment, politics, the Palestine problem, etc. 2) read and understand, with the help of a short list of words, passages of up to 300 words, and 3) discuss orally in class and write a 150-word paragraph in Arabic with fewer grammatical errors than in ARAB 1202.  The two-course sequence aims to take the student from the Intermediate Mid to the Advanced Mid level according to the ACTFL proficiency guidelines.

Catalog Distribution: (ALC-AS, GLC-AS) (CA-AG, FL-AG, LA-AG)

Full details for ASRC 1203 - Intermediate Arabic I

At the inception of this department at Cornell University in 1969, the Africana Studies and Research Center became the birthplace of the field "Africana studies." Africana studies emphasizes comparative and interdisciplinary studies of Africa, the U.S., the Caribbean and other diasporas. In this course, we will look at the diverse contours of the discipline. We will explore contexts ranging from modernity and the Trans-Atlantic slave trade and plantation complex in the New World to processes of decolonization and globalization in the contemporary digital age. This course offers an introduction to the study of Africa, the U.S., the Caribbean and other diasporas. This course will examine, through a range of disciplines, among them literature, history, politics, philosophy, the themes - including race/racism, the Middle Passage, sexuality, colonialism, and culture - that have dominated Africana Studies since its inception in the late-1960s. We will explore these issues in an attempt to understand how black lives have been shaped in a historical sense; and, of course, the effects of these issues in the contemporary moment. This course seeks to introduce these themes, investigate through one or more of the disciplines relevant to the question, and provide a broad understanding of the themes so as to enable the kind of intellectual reflection critical to Africana Studies.

Catalog Distribution: (GLC-AS, SSC-AS) (CA-AG, SBA-AG)

Full details for ASRC 1500 - Introduction to Africana Studies

This course uses a multidisciplinary approach to explore the complex relationship between history and popular culture in Africa. The course considers two main questions - How can you write history using popular culture? And how do artists use history to create popular culture? It uses examples from around the continent to explore old and new forms of popular culture; forms of cultural expression used by historians; as well as the ways in which artists use moments of great historical significance or key historical actors in their works. We consider, for example, the work of Leroy Vail who used songs by Mozambican peasants to write a social history of colonialism as well as films about colonialism by African film-makers such as the late Ousman Sembene.

Catalog Distribution: (HST-AS) (HA-AG)

Full details for ASRC 1590 - History and Popular Culture in Africa

This course offers an introduction to the philosophy of race. It canvasses key debates in the field concerning the metaphysical status of race, the relationship between the concept of race and racism (and the nature of the latter), the first-person reality of race, and the connections and disconnections between racial, ethnic, and national identities.

Catalog Distribution: (ETM-AS, SCD-AS) (D-AG, KCM-AG)

Full details for ASRC 1650 - Philosophy of Race

What is Blackness? Is it a monolith, or does it develop new features or identities as the African diaspora spreads to different parts of the globe? And why have thinkers written about Blackness in differing ways? We will explore the literature on race as it pertains to Blackness, including authors such as Cheikh Anta Diop, Frantz Fanon, Amilcar Cabral, Walter Rodney, and others. Students will have the opportunity to engage, study, and write about the various ways Blackness has been conceptualized.

Catalog Distribution: (WRT-AG)

Full details for ASRC 1812 - FWS: What is Blackness?

Heroine, Agitator, Crusader: these are but a few names used to describe journalist and activist Ida B. Wells (1862-1931).  Through extensive data collection and critical analysis, searing exposés against injustice and damning speeches, Wells and her contemporaries challenged the U.S. government to actualize the ideas of justice, citizenship, and human rights.  In this course, learning from the example set by Wells, we will contextualize her groundbreaking contributions within the broader historical framework of her era.  Students will compose essays that capture the essence of Wells's life and legacy.

Catalog Distribution: (WRT-AG)

Full details for ASRC 1814 - WS: Ida B. Wells: In the Wake of Revolution

This course deals with educational innovations geared to promoting equal opportunity based on gender, race and class, in Africa and the African Diaspora. After an introduction of the concepts and theories of education and innovations and the stages of innovation as planned change, the course will focus on concrete cases and different types of educational innovations. The selected case studies, in the United States, include the creation and expansion of historically black institutions with a focus on Tuskegee Institute (now Tuskegee University), Lincoln University, Spelman College, and the Westside Preparatory School in Chicago. The African cases to be studied include African languages for instruction in Nigeria, science education also in Nigeria, Ujamaa and education for self-reliance in Tanzania, classroom action research in Lesotho, Information Communication Technologies (ICTs) in African higher education with a focus on African Virtual Universities (AVU), the application of the Global Development Learning Network (GDLN) in Côte d'Ivoire, and OnLine learning at the University of in South Africa (UNISA). The role of education in the making of the Afropolitan in the 21st Century is discussed.

Catalog Distribution: (WRT-AG)

Full details for ASRC 1825 - FWS: Educational Innovations in Africa and Diaspora

What are your "dreams" and how do you articulate and communicate them to others, especially in writing? This course primarily serves as your writing laboratory with the objective of helping students think critically and write clearly as they seek to understand the ethical framework underpinning MLK's nonviolent active resistance and its applicability to our contemporary quest for justice. The primary text for this course is A Testament of Hope: The Essential Writings and Speeches of Martin Luther King Jr. which encompasses MLK's writings including his historic public addresses, letters, sermons, interviews, books, and essays that will serve as templates for learning various types of writings. This course challenges students to "dream" freely, think critically, and write clearly using the informal and formal writing assignments. 

Catalog Distribution: (WRT-AG)

Full details for ASRC 1860 - FWS: A Dream, not a Nightmare: Martin Luther King, Jr. and the Quest for Justice

On the eve of the American Revolution Britain administered 26 colonies—not just the 13 that would become the United States. British North America's dramatic struggle for independence has led many history textbooks to read the revolution back into colonial history, focusing on those 13 North American colonies that would become the United States, often at the expense of global connections that defined the colonial and revolutionary periods. As this class will explore, key elements of early American history can only be understood through a broader perspective, from the economic growth of New England as a result of the African slave trade and exchange in the Caribbean, to the use of citizenship as a category of exclusion in response to the myriad inhabitants—European, Indigenous, and African—who neighbored or lived within the original 13 colonies. In this course, we will explore the history of early America from the 1490s through the 1800s from a global perspective. Voices usually peripheral to the narrative of American development, from enslaved African mariners to Spanish American nuns, will become central to processes of cultural encounter, labor exploitation, revolutionary upheavals, and state formation that shaped the making and unmaking early America.

Catalog Distribution: (HST-AS) (HA-AG)

Full details for ASRC 1985 - American History from 1500 to 1800

An introductory interdisciplinary course focusing on Africa's geographical, ecological, social and demographic characteristics; indigenous institutions and values; multiple cultural heritage of Africanity, Islam, Western civilization, and emerging Asian/Chinese influence. Main historical developments and transition;  contemporary political, economic, social and cultural change with technological factor. Africa's ties with the United States (from trans-Atlantic slavery to the present). Its impact on the emerging world order and its contribution to world civilization will also be explored.

Catalog Distribution: (GLC-AS, HST-AS) (CA-AG, HA-AG)

Full details for ASRC 2003 - Africa: The Continent and Its People

This course explores the history of religions among people of African descent from the period of the development of the transatlantic slave trade (1440s) to the present. Its aim is to introduce students to the complex ways religion has shaped their lifeworlds. Such study involves, among other things, encounters with the religious cultures of slaves and slaveholders in the antebellum South; the development of independent Black churches, the effects of emancipation, migration, and urbanization upon Black religious life; new black religious movements (e.g., Nation of Islam, Father Divine's Peace Mission Movement, Black Hebrews); the emergence of Black secularism/humanism; the impact of Black religious expressive culture (e.g., music, sermon, song, and film); the religious dimensions of the Civil Rights and Black Power movements; as well as contemporary developments and transformations in Black religious life. All of which requires attentiveness to how we tell the story of Africana religions, and how scholars have developed and pursued the modern study of "Africana religion." 

Catalog Distribution: (HST-AS, SCD-AS) (D-AG, HA-AG)

Full details for ASRC 2060 - Introduction to Africana Religions

This course is designed for students who can speak and understand a spoken Arabic dialect (Egyptian, Lebanese, Syrian, Iraqi, etc.) but have little or no knowledge of written Arabic, known as Classical Arabic, Modern Standard Arabic, or Fusha. The focus of the course will be on developing the reading and writing skills through the use of graded, but challenging and interesting materials. As they develop their reading and writing skills, students will be learning about Arab history, society, and culture. Classroom activities will be conducted totally in Arabic. Students will not be expected or pressured to speak in Classical Arabic, but will use their own dialects for speaking purposes. However, one of the main goals of the course will be to help the development of the skills to communicate and understand Educated Spoken Arabic, a form of Arabic that is based on the spoken dialects but uses the educated vocabulary and structures of Fusha.

Catalog Distribution: (ALC-AS, GLC-AS) (CA-AG, FL-AG, LA-AG)

Full details for ASRC 2105 - Arabic for Heritage Speakers

This undergraduate course introduces the formal and topical innovations that African cinema has experienced since its inception in the 1960s. Sections will explore, among others, Nollywood, sci-fi, and ideological cinema. Films include: Abderrahmane Sissako's Bamako, Mohamed Camara's Dakan, Djibril Diop Mambéty's Touki-Bouki, Cheikh Oumar Sissoko's Finzan, Anne-Laure Folly's Women with Open Eyes, Ousmane Sembène's Camp de Thiaroye, Jean-Pierre Bekolo's Quartier Mozart.

Catalog Distribution: (ALC-AS, GLC-AS) (CA-AG, LA-AG)

Full details for ASRC 2235 - New Visions in African Cinema

This seminar examines some of the political and cultural visions of Africa and Africans held by African-American intellectuals and activists in the 19th and 20th centuries. Emphasis is placed on the philosophies of black nationalism, Pan Africanism and anticolonialism and the themes of emigration, expatriation, repatriation and exile. Awareness of Africa and attitudes toward the continent and its peoples have profoundly shaped African-American identity, culture and political consciousness. Notions of a linked fate between Africans and black Americans have long influenced black life and liberation struggles within the U.S. The motives, purposes and outlooks of African-American theorists who have claimed political, cultural, or spiritual connection to Africa and Africans have varied widely, though they have always powerfully reflected black experiences in America and in the West. The complexity and dynamism of those views belie simplistic assumptions about essential or "natural" relationships, and invite critical contemplation of the myriad roles that Africa has played in the African-American mind."

Catalog Distribution: (HST-AS) (HA-AG)

Full details for ASRC 2354 - African American Visions of Africa

This course uses a multi-disciplinary approach to examine the importance of textiles in African social and economic history. It combines art history, anthropology, social and economic history to explore the role of textiles in marking status, gender, political authority and ethnicity. In addition, we examine the production and distribution of indigenous cloth and the consequences of colonial rule on African textile industries. Our analysis also considers the principles of African dress and clothing that shaped the African diaspora in the Americas as well as the more recent popularity and use of African fabrics and dress in the United States.

Catalog Distribution: (HST-AS) (HA-AG)

Full details for ASRC 2452 - Dress, Cloth and Identity in Africa and the Diaspora

Each year this seven-week, one-credit course focuses on a different novel by Nobel Laureate and Cornell alumna Toni Morrison. We read and discuss each novel in the context of Morrison's life and career, her place in African American, US, and world literature, and her exploration of crucial questions regarding identity, race, gender, history, oppression, and autonomy. Please see the class roster for the current semester's featured novel. Students will read the novel closely, with attention to its place in Morrison's career and in literary and cultural history.

Full details for ASRC 2603 - The Novels of Toni Morrison

This course will introduce students to African American literary traditions in the space that would become North America. From early freedom narratives and poetry to Hip-Hop and film, we will trace a range of artistic conventions and cultural movements while paying close attention to broader historical shifts in American life over the past three centuries. We'll read broadly: poetry, fiction, speculative fiction, newspapers, and the like. We will ask: How do authors create, define, and even exceed a tradition? What are some of the recurring themes and motifs within this tradition? Authors may include: Phillis Wheatley, David Walker, Frederick Douglass, Ida B. Wells-Barnett, W.E.B. DuBois, Zora Neale Hurston, James Baldwin, Octavia Butler, Toni Morrison, and Eve Ewing. This course satisfies the Literatures of the Americas requirement for English majors.

Catalog Distribution: (ALC-AS) (D-AG)

Full details for ASRC 2650 - Introduction to African American Literature

This course examines major trends in the evolution of the Middle East in the modern era. Focusing on the 19th and 20th centuries and ending with the "Arab Spring," we will consider Middle East history with an emphasis on five themes: imperialism, nationalism, modernization, Islam, and revolution. Readings will be supplemented with translated primary sources, which will form the backbone of class discussions.

Catalog Distribution: (GLC-AS, HST-AS) (CA-AG, HA-AG)

Full details for ASRC 2674 - History of the Modern Middle East

The legacies of slavery remain all too obvious in the modern Atlantic World. From demographic imbalances to pervasive social and economic inequality, much of the recent past has involved addressing that destructive early modern heritage. This course traces the roots of slavery and race in the Atlantic World from 1400 to 1800. Through lectures, readings, and class discussion, we will examine how politics, culture, gender, and the law intersected to shape the institution of slavery and the development of conceptions of race. As an Atlantic World course, we will take a comparative perspective and ask how different imperial regimes (Spanish, Portuguese, French, and English) fostered different systems of race and slavery in the Americas. We will also ask how the law as a lived experience, gender norms, and imperial politics all worked to shape the production of racial hierarchies.

Catalog Distribution: (HST-AS) (HA-AG)

Full details for ASRC 2755 - Race and Slavery in the Early Atlantic World

In Eddie Murphy's Coming to America, Africa is a place of nobility, where even lions are at peace with lambs. In contrast, Leonardo DeCaprio's Blood Diamond is a violent look at the role the demand for diamonds has played in destabilizing mineral-rich African countries. But if Hollywood has long been concerned with depicting Africa in particular ways, African filmmakers are at the same time creating their own stories. Popular and scholarly film critics are also contributing to the battle over who speaks for Africa. In this course we will explore these competing images of Africa, questions of imagination versus reality, and the extent to which artists should, if at all, be responsible to the subject of their art.

Catalog Distribution: (ALC-AS, GLC-AS) (CA-AG, LA-AG)

Full details for ASRC 2771 - Africa in Hollywood

"Why no socialism in America?" Scholars and activists have long pondered the relative dearth (compared to other industrialized societies) of sustained, popular, anticapitalist activity in the United States. Sure, leftist movements in the U.S. have often looked and operated differently than those in other parts of the world. But many Americans have forged creative and vibrant traditions of anticapitalism under very difficult circumstances. This class examines socialist thought and practice in the U.S. from the 19th century to the present. We trace intersections of race, class, and gender while exploring the freedom dreams of those who have opposed capitalism in the very heart of global power.

Catalog Distribution: (HST-AS, SCD-AS) (D-AG, HA-AG)

Full details for ASRC 2955 - Socialism in America

This course explores past and contemporary theories of emotions and different kinds of emotions like wonder, grief, anger, and fear, all with an eye toward the study and practice of religion, and its relationship to race, gender, class, and politics. We will also explore how the academic study of religion and different religious tradition impact our understanding of emotions. We will draw from philosophy, anthropology, sociology, literature, political science, affect theory, gender studies, psychology, and neuroscience. We will examine several questions related to emotions and its rise. First and foremost, what is an emotion? How is it different from affect, feeling, or passion? How are emotions investigated across disciplines?  Can we study emotion historically? How are certain emotions racialized or gendered? What is a religious experience? How identifying as religious or otherwise impact one's understanding and experience of emotions? How do emotions lend force to ideas and ideologies, to causes such as the recent surge of White (Christian) nationalist sentiment in the U.S. and other countries? Finally, what do emotions (and affect theory) bring to the study of religion?

Catalog Distribution: (ETM-AS, SSC-AS) (KCM-AG, SBA-AG)

Full details for ASRC 3060 - Emotions, Religion, and Race

In this two-semester sequence, learners will be introduced to authentic, unedited Arabic language materials ranging from short stories, and poems, to newspaper articles dealing with social,  political,  and cultural issues. Emphasis will be on developing fluency in oral expression through discussions of issues presented in the reading and listening selections. There will be more focus on the development of native-like pronunciation and accurate use of grammatical structures than in the previous four courses. A primary objective of the course is the development of the writing skill through free composition exercises in topics of interest to individual students.  This course starts where ARAB 2202 leaves off and continues the development of the four language skills and grammar foundation using 18 themes, some new and some introduced in previous courses but are presented here at a more challenging level.  The student who successfully completes this two-course sequence have mastered over 3000 new words and will be able, within context of the 18 new and recycled themes to: 1) understand and actively participate in conversations, 2) read and understand, with the help of a short list of words, authentic, unedited passages of up to 400 words, and 3) discuss orally in class and write a 300-word paragraph in Arabic with fewer grammatical errors than in ARAB 2202.  The two-course sequence aims to take the student from the Advanced Mid to the Superior level according to the ACTFL proficiency guidelines.

Catalog Distribution: (ALC-AS, GLC-AS) (CA-AG, FL-AG, LA-AG)

Full details for ASRC 3100 - Advanced Arabic I

In her pathbreaking text Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval Saidiya Hartman writes that "young Black women were radical thinkers who tirelessly imagined other ways to live and never failed to consider how the world might be otherwise." This two-semester course endeavors to travel through those worlds using the cultural and musical forms of gospel and the blues as our compass. The first semester is guided by the work of scholars and writers like Angela Davis, Hazel Carby, Alice Walker, and Gayl Jones and artists like Ethel Waters, Bessie Smith, Victoria Spivey, and Sister Rosetta Tharpe. Together we will interrogate the spectrum of lived experiences making for a kaleidoscopic sonic history of joy, pleasure, sorrow, resistance, and everything in between.

Catalog Distribution: (ALC-AS) (CA-AG, LA-AG)

Full details for ASRC 3322 - Gospel and The Blues: A Black Women's History I, 1900-1973

This lecture course examines the history of the idea and practice of development in twentieth century Africa. Since the 1990s, the US, with some input from other western nations, has had relative hegemony in defining "international development." But this state of affairs was not inevitable – in the 1950s-1970s, decolonizing African nations hosted major debates on how to develop an independent, post-colonial system. Development theorists, academics, and freedom fighters traversed the continent and congregated in intellectual hubs, especially in Tanzania, but also in Nigeria, Mozambique, Senegal, Zambia, and elsewhere, to plan and implement a new world order. This course will combine intellectual and social history: we will explore theories of development, and situate them in their vibrant context.

Catalog Distribution: (GLC-AS, HST-AS) (CA-AG, HA-AG)

Full details for ASRC 3653 - International Development in African History

This course offers an opportunity to read in depth two major writers of the twentieth century, Langston Hughes and Zora Neale Hurston.  Friends and one-time collaborators in the New York City of the 1920s, each had important careers that extended long after the Harlem Renaissance period in which they achieved early renown.  This class will survey the myriad genres in which each writer worked (short stories, poetry, novels, drama, critical writing, folklore and anthropology).  And it will also consider the literary, cultural, and political contexts in which both writers achieved early renown and which their work critically contested.  The class concludes by examining the reading works of later major authors (Toni Morrison, Harryette Mullen) who drew directly with Hughes' and Hurston's legacy.

Catalog Distribution: (ALC-AS) (CA-AG, LA-AG)

Full details for ASRC 3705 - Zora Neale Hurston and Langston Hughes

When an African and an African American meet, solidarity is presumed, but often friction is the result.  In this course, we will consider how Africans and African Americans see each other through literature.  What happens when two peoples suffering from double consciousness meet?  We will examine the influence of historical forces including slavery, colonialism and pan-Africanism on the way writers explore the meeting between Africans and African Americans. Specifically we will look at how writers and political figures such as Maya Angelou, Chimamanda Adichie, Richard Wright, Eugene Robinson, Philippe Wamba, Martin Luther King Junior and Malcolm X have understood the meeting.

Catalog Distribution: (ALC-AS, HST-AS) (CA-AG, D-AG, HA-AG, LA-AG)

Full details for ASRC 3742 - Africans and African Americans in Literature

This course introduces students to questions and debates around the role and effects of race and racism in international politics.  Scholars of international politics have long neglected such questions in world affairs, even though the origins of international relations – as an academic discipline – can be traced back to the early years of the 20th century, when questions of imperialism and governance over different races necessitated the development of new ways of thinking about inter-state and inter-racial relations. Over the past two decades, however, prompted by insights from post-colonial theory and cultural studies but also by continued Western military engagements in the Middle East and Africa, new scholarly publications have sought to bring back the analysis of "the color line" into our conversations about global politics. The major themes covered in this course include critical debates around the meanings and salience of race; colonialism; race and IR; decolonization and Third Worldism; race and war on/and terror; and race and international law and climate justice.

Catalog Distribution: (SSC-AS) (SBA-AG)

Full details for ASRC 3947 - Race and World Politics

Black women first began to shape the genre of autobiography during antebellum era slavery. They were prolific in developing the genre of autobiography throughout the twentieth century, to the point of emerging as serial autobiographers in the case of Maya Angelou. Significantly, I Know Why the Caged Bird Sings(1970), the first autobiography of six by Angelou, along with autobiographies by a range of other black women writers, helped to launch the renaissance in black women's literature and criticism in African American literature during the 1970s. In this course, we will focus on how black women have continued to write and share their personal stories in the new millennium by examining autobiographies that they have produced in the first years of the twenty-first century. More broadly, we will consider the impact of this writing on twenty-first century African American literature, as well as African diasporan writing in Africa and the Caribbean. In the process, we will draw on a range of critical and theoretical perspectives.  We will read memoirs and autobiographies by a range of figures, including Michelle Obama, Jennifer Lewis, Monica Coleman, Serena Williams, Gabrielle Union, and Tiffany Haddish, among others. 

Catalog Distribution: (ALC-AS, SCD-AS) (CA-AG, D-AG, LA-AG)

Full details for ASRC 4212 - Black Women's Autobiography in the 21st Century WritingHerStory

This seminar will focus on the writings of the polymorphous Martinican poet and thinker, Édouard Glissant (1928-2011).  We will attend to the historical context of French colonialism, particularly in the Caribbean, that gives his writing part of its impetus and to the anticolonial intellectuals with whom he engages (chiefly Aimé Césaire and Frantz Fanon) as well as to his major self-professed influences (William Faulkner, Saint-John Perse, Hegel) and to an array of interlocutors and fellow-travelers as well as a few dissenters. The seminar will examine the main preoccupations of Glissant's writing (world histories of dispossession and plantation slavery, creolization, Relation, opacity, flux, transversality, Caribbean landscapes as figures of thought, the All-World, etc.) but our focus will be on reading Glissant and attending carefully to the implications of his poetics and of his language for decolonial thought.

Catalog Distribution: (ALC-AS, ETM-AS) (CA-AG, KCM-AG, LA-AG)

Full details for ASRC 4368 - Reading Édouard Glissant

This seminar examines the emergence of national identities, nationalist movements, and nation-states in the modern Arab world. First, we will examine various approaches to the question of nationalism, using Benedict Anderson's Imagined Communities as our basic reference. We will then test the applicability of these general theories to the Arab World through our examination of specific case studies.

Catalog Distribution: (GLC-AS, SCD-AS) (CA-AG, D-AG)

Full details for ASRC 4672 - Nationalism(s) in the Arab World

For senior Africana Studies majors working on honors thesis, with selected reading, research projects, etc., under the supervision of a member of the Africana Studies and Research Center faculty.

Full details for ASRC 4900 - Honors Thesis

For students working on special topics, with selected reading, research projects, etc., under the supervision of a member of the Africana Studies and Research Center faculty.

Full details for ASRC 4902 - Independent Study

This graduate seminar seeks to familiarize students with some of the most recent takes on transnational history that have emphasized the experiences of individuals and groups whose lives were affected by mobility across political boundaries. An explicit aim of the seminar is to use these border-crossing lives as a way to develop a critique of conventional areas studies frameworks and to explore the possibilities of imagining (geographically and otherwise) a different world (or multiple different ways of organizing global space). Since most of the readings will concentrate on the pre-nineteenth century world, the seminar will also offer students tools to rethink conventional narratives of the rise of a globalized world that tend to emphasize the second half of the nineteenth century as the birth of the global world. Globalization, this course will demonstrate, was happening long before most accepted narratives assert.

Full details for ASRC 6132 - Mobility, Circulation, Migration, Diaspora: Global Connections

This seminar will focus on the writings of the polymorphous Martinican poet and thinker, Édouard Glissant (1928-2011).  We will attend to the historical context of French colonialism, particularly in the Caribbean, that gives his writing part of its impetus and to the anticolonial intellectuals with whom he engages (chiefly Aimé Césaire and Frantz Fanon) as well as to his major self-professed influences (William Faulkner, Saint-John Perse, Hegel) and to an array of interlocutors and fellow-travelers as well as a few dissenters. The seminar will examine the main preoccupations of Glissant's writing (world histories of dispossession and plantation slavery, creolization, Relation, opacity, flux, transversality, Caribbean landscapes as figures of thought, the All-World, etc.) but our focus will be on reading Glissant and attending carefully to the implications of his poetics and of his language for decolonial thought. 

Full details for ASRC 6368 - Reading Édouard Glissant

Independent study course in topics not covered in regularly scheduled courses. Students select a topic in consultation with the faculty member who has agreed to supervise the course work.

Full details for ASRC 6900 - Independent Study

This class is the first in a two-part course sequence offered in the fall and spring semesters annually. In this hybrid theory and methods course, students will read historiographic, ethnographic, and sociological engagements about African-descended people throughout the Diaspora.

Full details for ASRC 6902 - Africana Studies Graduate Seminar

Intermediate Swahili levels I and II in general impart speaking, listening, reading, and writing skills beyond Swahili elementary level to participate with ease and confidence in familiar topics and exchange information on unfamiliar topics. Students are assigned communicative tasks such as respond to a situation with a short text and take part in a discussion after viewing short video clips and prompts to elicit speaking and listening competence and cultural awareness responses beyond elementary level. The language and cultural scenarios practiced are designed to help students demonstrate language responses beyond familiar topics, and to feel comfortable conversing with Swahili native speakers, as well as to blend in and feel welcomed as part of the community while exploring different topics such as acquaintanceship, relationships, health, festivals, education, sports, housing, politics, commerce, travel, etc. Short stories are used to depict cultural aspects such as cultural expressions, proverbs, sayings, and riddles. Literature and cultural materials are incorporated into the course, along with audio-visual and web-based material. In this course, students have an opportunity to participate in language conversation outside the classroom and explore the opportunities for study abroad in East Africa. Swahili Elementary I and II are prerequisite for this course. By the end of this course, students should be able to reach proficiency level Intermediate High according to the American Council on the Teaching of Foreign Languages (ACTFL) www.actfl.org.

Catalog Distribution: (FL-AG)

Full details for SWAHL 2101 - Intermediate Swahili I

This course is a basic introduction to the Wolof language. It aims to build students' basic understanding of the sentence structure of the language. It combines written and oral practice based on major cultural aspects of traditional and modern Wolof society. These exercises will include production, listening comprehension, reading comprehension, and writing.

Full details for WOLOF 1117 - Elementary Wolof I

This course will further your awareness and understanding of the Wolof language and culture, as well as improve your mastery of grammar, writing skills, and oral skills. Course materials will incorporate various types of text including tales, cartoons, as well as multimedia such as films, videos, and audio recordings.

Full details for WOLOF 2118 - Intermediate Wolof I

This course will further your awareness and understanding of the Wolof language and culture and improve your mastery of grammar, writing skills, and oral expression. Course materials will incorporate various text types, including tales, poetry, literature, and multimedia such as films, videos, television, and radio. The instructor will provide all course materials. At the end of the course, you will be able to understand basic Wolof and make yourself understood in everyday situations.

Full details for WOLOF 3113 - Advanced Wolof I

A two-semester beginner's course in Yoruba Language and Culture. Organized to offer Yoruba language skills and proficiency in speaking, reading, listening, writing, and translation. Focus is placed on familiar informal and formal contexts, e.g., home, school, work, family, social situations, politics, etc. Course uses Yoruba oral literature, proverbs, rhetoric, songs, popular videos, and theater, as learning tools for class comprehension. First semester focuses on conversation, speaking, and listening.  Second semester focuses on writing, translation and grammatical formation. Through the language course students gain basic background for the study of an African culture, arts, and history both in the continent and in the diaspora. Yoruba language is widely spoken along the west coast of Africa and in some African communities in diaspora.  Yoruba video culture, theater, music, and arts has a strong influence along the west coast and in the diaspora.A two-semester beginner's course in Yoruba Language and Culture. Organized to offer Yoruba language skills and proficiency in speaking, reading, listening, writing, and translation. Focus is placed on familiar informal and formal contexts, e.g., home, school, work, family, social situations, politics, etc. Course uses Yoruba oral literature, proverbs, rhetoric, songs, popular videos, and theater, as learning tools for class comprehension. First semester focuses on conversation, speaking, and listening.  Second semester focuses on writing, translation and grammatical formation. Through the language course students gain basic background for the study of an African culture, arts, and history both in the continent and in the diaspora. Yoruba language is widely spoken along the west coast of Africa and in some African communities in diaspora.  Yoruba video culture, theater, music, and arts has a strong influence along the west coast and in the diaspora.

Catalog Distribution: (FL-AG)

Full details for YORUB 1108 - Introduction to Yoruba I

The intermediate course extends the development of the main language skills-reading, writing, listening, and conversation. The course deepens the development of correct native pronunciation, the accuracy of grammatical and syntactic structures; and the idiomatic nuances of the language. Students who take the course are able to (1) prepare, illustrate, and present Yoruba texts such as poems, folktales, advertisements, compositions, letters, (2) read Yoruba literature of average complexity, (3) interpret Yoruba visual texts of average difficulty, (4) comprehend Yoruba oral literature and philosophy-within the context of African oral literature and philosophy-of basic complexity. Through the Yoruba language students appreciate African oral literature and philosophy. The primary textual media are Yoruba short stories, poems, short plays, films, songs, and newspapers.

Catalog Distribution: (FL-AG)

Full details for YORUB 2110 - Intermediate Yoruba I

This course will help students expand their understanding of the Yoruba language through the communicative approach. We will focus on the four skills, speaking, listening, learning, and writing.

Full details for YORUB 3110 - Advanced Yoruba I

A beginning course in conversational isiZulu, using Web-based materials filmed in South Africa. Emphasis on the sounds of the language, including clicks and tonal variation, and on the words and structures needed for initial social interaction. Brief dialogues concern everyday activities; aspects of contemporary Zulu culture are introduced through readings and documentaries in English.

Full details for ZULU 1113 - Elementary Zulu I

Development of fluency in speaking, listening, reading, and writing, using Web-based materials filmed in South Africa. Students describe and narrate spoken and written paragraphs. Review of morphology; concentration on tense and aspect. Materials are drawn from contemporary popular culture, folklore, and mass media.

Full details for ZULU 2116 - Intermediate Zulu I

Development of fluency in using idioms, speaking about abstract concepts, and voicing preferences and opinions. Excerpts from oral genres, short stories, and television dramas. Introduction to other South African languages and to issues of standardization, dialect, and language attitude.

Full details for ZULU 3113 - Advanced Zulu I