Salah M. Hassan: How to Liberate Marx from His Eurocentrism Notes on African/Black Marxism: 100 Notes, 100 Thoughts: Documenta Series 091 Book Cover

Salah M. Hassan: How to Liberate Marx from His Eurocentrism Notes on African/Black Marxism: 100 Notes, 100 Thoughts: Documenta Series 091

Published in conjunction with the Documenta 13 exhibition in Kassel, Germany, the Documenta notebook series 100 Notes,100 Thoughts ranges from archival ephemera to conversations and commissioned essays. These notebooks express director Carolyn Christov-Bakargiev’s curatorial vision for Documenta 13.

Klarman Hall

Salah M. Hassan

Salah M. Hassan is the Distinguished Professor of Arts and Sciences in Africana Studies and Research Center, and Department of History of Art and Visual Studies, and Director of the Institute for Comparative Modernities (ICM), Cornell University. He is also the Founding Director, The Africa Institute, Sharjah, UAE. Hassan is an art historian, art critic and curator. He is aneditor and founder of Nka: Journal of Contemporary African Art (Duke University Press) and served as consulting editor for African Arts. He currently serves as member of the editorial advisory board of Atlantica and Journal of Curatorial Studies. He authored, edited and co-edited several books including Ahmed Morsi: A Dialogic Imagination (2021); Ibrahim El Salahi’s Prison Notebook (English Edition) (2018); Ibrahim El Salahi’s Prison Notebook (Arabic Edition) (2018); How to Liberate Marx from His Eurocentrism: Notes on Black/African Marxism (2012); Darfur and the Crisis of Governance: A Critical Reader (2009), and Diaspora, Memory, Place (2008); Unpacking Europe (2001); Authentic/Ex-Centric (2001); Gendered Visions: The Art of Contemporary Africana Women Artists (1997); and Art and Islamic Literacy among the Hausa of Northern Nigeria (1992).

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Graduate Field Faculty

Africana Studies: Graduate Field Faculty
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